Thursday, August 2, 2012

In the Beginning - The Art of Embarrassment

There is one school of thought that suggests that all old and embarrassing pieces of art should head for the dustbin. If the painting is on paper, then it is even better if it is torn in little pieces first, so that it will definitely never again see the light of day. Another school of thought suggests that such pieces should be retained as a  record of one's beginning as an artist and subsequent development. Supposedly this sort of review and comparison will build one's self esteem and provide encouragement to forge on.

I began painting in 2004 at a  a local  four-day watercolour workshop where I fell in love with paint and water. Here is my very first painting-it had paint and it was wet! Love the purple! This must have been the beginning of my interest in abstracts.


Undaunted, I carried on in my "home studio" known by my family as the kitchen table to produce this painting of a famous rock formation in New Zealand.


I have discarded paintings, washed them out in the sink to start over again, and cut them up to use as colour test sheets. I have kept quite a lot and they do show progression in my work. The danger in reviewing them, however, if you are in the painting "doldrums" is the thought that enters your mind that you are devolving instead of evolving. That's when I throw them in the sink!

Go to My WebSite

Tuesday, July 24, 2012

Website at Last

The website is finished. The name of the site is Anne Neidhardt Art and the URL is http://www.anneneidhardtart.com/ The gallery of paintings is now extended and has moved from the blog to the website and will be easier to view. The blog will continue to feature news, art information and new paintings. Additional features may be added to the blog in time. Thanks to those of you that have followed the blog and I hope you like the new site.  Let me know and keep in touch. 


Link to My Web Site

Wednesday, July 18, 2012

Website in Process

 I am heavily  into developing a website.  This is not my idea of inspirational art, but necessary. My site has a link to this blog, however the immediate problem is to create a link back to the site. I hope this works!!!!


Go Back to My Site

Tuesday, June 26, 2012

Landscape Memories

Landscape memories are stored and grouped in the subconscious. They appear as seascapes, farmlands, mountains, forests  and moors. They provide inspiration for many paintings. The following two paintings are memorials to travels in Ireland, New Zealand, the UK, Newfoundland and Ontario.

Farmhouse


Bathed in Sunlight


Both paintings used Terraskin as a support. This is a material of which I am growing to appreciate. A word to the wise, however when framing in glass with Terraskin- this material is heavier than watercolour paper and requires additional anchoring to the mat, or slippage can occur.

Tuesday, June 12, 2012

More on Inspiration


 In previous blogs I have talked about the issue of ‘artist’s block’ and possible sources of inspiration, but sometimes inspiration comes not from visiting an art gallery but from an unexpected place.
I am a volunteer at the Aphasia Institute in Toronto. ‘Aphasia’ is an acquired disorder caused by damage to the brain from either a stroke, brain tumour or brain injury. This condition affects more than 100,000 Canadians today. Aphasia can deprive the affected person of the ability to speak, read, write or understand the speech of others. Language skills are affected, not competence, but all too often those with aphasia are discounted as incompetent because people lack the necessary skills to help them be understood.

The Aphasia Institute is a community-based centre of excellence that helps people express themselves to the world around them. It also assists people with aphasia and their families to find new ways to re-join life’s conversation and thereby reduce isolation.
There are a variety of ongoing programs - all designed to encourage community involvement and social exchange.  I am currently a volunteer facilitator for a conversation group. However, as an artist, I am very inspired by the group of members that participate in the art program. Most have never painted before, some have had to learn to use their non-dominant hand as a result of stroke, and all have aphasia in varying degrees.
Making art is such a wonderful way to communicate when the right words may escape you!  I admire the energy and fearlessness of these budding artists as they are finding new pathways to enjoy life. As you can see from the paintings, their talent is also to be admired. When I see these painters at work, I am ashamed to even think of ‘artist’s block’.
Thank you to the painters below for sharing their work with all of us. For more information about the Aphasia Institute go to www.aphasia.ca


Bill Scott

Tita Tubil


Lorraine Kelso

Bruce White

June Ann Ho-A-Kam
Se- Truong




Thursday, May 24, 2012

Art in Celebration of Doors Open








Merrily We Bowl Along

A Jack Among the Jills

Where is Sir Francis?

These three paintings were done to celebrate the occasion of "Doors Open" Toronto, at the Lawrence Park Lawn Bowling and Croquet Club.



May 26 & 27 from 10:00 a.m. to 5:00 p.m.
In 2012 this City of Toronto Parks and Recreation facility celebrates its 100th anniversary.

The greens and original clubhouse for the Lawrence Park Lawn Bowling & Croquet Club were built in 1912 in the beautiful Alexander Muir Gardens Ravine. Prior to 1923 it was a private club for the residents of the Lawrence Park Estates. 
 Doors Open visitors are invited to tour our clubhouse and greens, watch demonstrations of lawn bowling and croquet, and have a try at playing. (Please note that participants must wear either flat-soled or running-type shoes on the greens.) 

Saturday, April 21, 2012

Art Studio Tour

The North Toronto Group of Artists is having its 4th Annual Art Tour on Saturday May 5 and Sunday May 6. 
Visit the studios of 16 artists in the North Toronto area .  Enjoy a variety of artworks at a range of affordable prices, chat with the artist and have some refreshments. Hope to see you there.


11:00 am to 5:00 pm
Rain or Shine
Free Admission

Studio Tour Area:
Eglington to Wilson
Avenue to Mount Pleasant

For more information and a tour map, please visit www.ntga.blogspot.com or email us at ntgartists@gmail.com

Wednesday, April 18, 2012

What Makes a Great Gallery Opening?

What makes a great gallery opening? An attractive space, great food, good wine, lots of interesting people and of course great art!








And Moi - overwhelmed by the whole thing!





Thanks to all those who attended the opening of the "Chosen" at Studio 51 on April 13. ( you can visit the gallery till April 23)

Sunday, March 18, 2012

Mark Your Calendars!

The busy Spring art season is here!
 I hope to see you at two interesting events.
Gallery 51 is a new venue for me and is a very attractive space. I am also pleased to have one of my watercolours in the Toronto Watercolour Society's Spring juried show.




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Email for further details: aneidhardt@rogers.com

Wednesday, February 15, 2012

Acrylic vs. Watercolour

I am often asked which medium I prefer- acrylic or watercolour. My answer is that it depends on what I am painting at the moment. Both are water-based media, but the technique and effects are quite different.
Acrylic paints are very versatile. They can be diluted and used as washes and glazes like watercolour on watercolour paper. They can also be used straight from the tube and applied to canvas and so behave more like oil paints, especially when used in an impasto technique. They dry quickly, which can create problems if brushes are not cleaned immediately. A variety of materials can be applied to the acrylic canvas to  provide texture and to create collages. I find that acrylic provides the freedom to experiment, as you can cover mistakes or change your composition.
Watercolour on the other hand is basically applied to paper, although additional surfaces are becoming available, such as watercolour canvas, clay boards and terraskin.  The painting must proceed in layers and from light to dark. There is a luminous transparent quality to watercolour painting which is impossible to completely duplicate in  acrylic.There is little ability to correct mistakes and that has given watercolour  the reputation of being difficult to master.
I have always been thankful that my first exposure to painting was in a watercolour workshop. I feel it is much easier to move from watercolour to acrylic than the other way around. Since I have been doing more acrylic painting recently, I found it quite a challenge to return to watercolour. I became so frustrated that I repainted over three watercolours in acrylic. Ultimately I  went back to a familiar scene and plodded along. The initial effort, in images one and two, as you can see was a complete failure. Finally things began to click, in images three and four. More watercolour painting needed!!


#1

#2


#3



#4
This process only confirmed my belief that if you use more than one medium, you need to vary your painting techniques in order to maintain the skills unique to each.