The website is finished. The name of the site is Anne Neidhardt Art and the URL is http://www.anneneidhardtart.com/ The gallery of paintings is now extended and has moved from the blog to the website and will be easier to view. The blog will continue to feature news, art information and new paintings. Additional features may be added to the blog in time. Thanks to those of you that have followed the blog and I hope you like the new site. Let me know and keep in touch.
Link to My Web Site
A space and time to view and to respond to my watercolour, acrylic, and multi media paintings.
Tuesday, July 24, 2012
Wednesday, July 18, 2012
Website in Process
I am heavily into developing a website. This is not my idea of inspirational art, but necessary. My site has a link to this blog, however the immediate problem is to create a link back to the site. I hope this works!!!!
Go Back to My Site
Go Back to My Site
Tuesday, June 26, 2012
Landscape Memories
Landscape memories are stored and grouped in the subconscious. They appear as seascapes, farmlands, mountains, forests and moors. They provide inspiration for many paintings. The following two paintings are memorials to travels in Ireland, New Zealand, the UK, Newfoundland and Ontario.
Both paintings used Terraskin as a support. This is a material of which I am growing to appreciate. A word to the wise, however when framing in glass with Terraskin- this material is heavier than watercolour paper and requires additional anchoring to the mat, or slippage can occur.
| Farmhouse |
| Bathed in Sunlight |
Tuesday, June 12, 2012
More on Inspiration
In previous blogs I have talked
about the issue of ‘artist’s block’ and possible sources of inspiration, but sometimes
inspiration comes not from visiting an art gallery but from an unexpected
place.
I am a volunteer at the Aphasia
Institute in Toronto. ‘Aphasia’ is an acquired disorder caused by damage to
the brain from either a stroke, brain tumour or brain injury. This condition
affects more than 100,000 Canadians today. Aphasia can deprive the affected person
of the ability to speak, read, write or understand the speech of others.
Language skills are affected, not competence, but all too often those with
aphasia are discounted as incompetent because people lack the necessary skills
to help them be understood.
The
Aphasia Institute is a community-based centre of excellence that helps people express
themselves to the world around them. It also assists people with aphasia and
their families to find new ways to re-join life’s conversation and thereby
reduce isolation.
There
are a variety of ongoing programs -
all designed to encourage community involvement and social exchange. I am currently a volunteer facilitator for a
conversation group. However, as an artist, I am very inspired by the group of
members that participate in the art program. Most have never painted
before, some have had to learn to use their non-dominant hand as a result of
stroke, and all have aphasia in varying degrees.
Making art is
such a wonderful way to communicate when the right words may escape you! I admire the energy and fearlessness of these
budding artists as they are finding new pathways to enjoy life. As you can see
from the paintings, their talent is also to be admired. When I see these
painters at work, I am ashamed to even think of ‘artist’s block’.
Thank you to the
painters below for sharing their work with all of us. For more information about
the Aphasia Institute go to www.aphasia.ca
| Bill Scott |
| Tita Tubil |
| Lorraine Kelso |
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| Bruce White |
| June Ann Ho-A-Kam |
| Se- Truong |
Thursday, May 24, 2012
Art in Celebration of Doors Open
Merrily We Bowl Along
A Jack Among the Jills
Where is Sir Francis?
These three paintings were done to celebrate the occasion of "Doors Open" Toronto, at the Lawrence Park Lawn Bowling and Croquet Club.
May 26 & 27 from 10:00 a.m. to 5:00 p.m.
In 2012 this City of Toronto Parks and Recreation facility celebrates its 100th anniversary.
The greens and original clubhouse for the Lawrence Park Lawn Bowling & Croquet Club were built in 1912 in the beautiful Alexander Muir Gardens Ravine. Prior to 1923 it was a private club for the residents of the Lawrence Park Estates.
Doors Open visitors are invited to tour our clubhouse and greens, watch demonstrations of lawn bowling and croquet, and have a try at playing. (Please note that participants must wear either flat-soled or running-type shoes on the greens.)
Saturday, April 21, 2012
Art Studio Tour
The North Toronto Group of Artists is having its 4th Annual Art Tour on Saturday May 5 and Sunday May 6.
For more information and a tour map, please visit www.ntga.blogspot.com or email us at ntgartists@gmail.com
Visit the studios of 16 artists in the North Toronto area . Enjoy a variety of artworks at a range of affordable prices, chat with the artist and have some refreshments. Hope to see you there.
11:00 am to 5:00 pm
Rain or Shine
Free Admission
Studio Tour Area:
Eglington to Wilson
Avenue to Mount Pleasant
11:00 am to 5:00 pm
Rain or Shine
Free Admission
Studio Tour Area:
Eglington to Wilson
Avenue to Mount Pleasant
For more information and a tour map, please visit www.ntga.blogspot.com or email us at ntgartists@gmail.com
Wednesday, April 18, 2012
What Makes a Great Gallery Opening?
What makes a great gallery opening? An attractive space, great food, good wine, lots of interesting people and of course great art!
Thanks to all those who attended the opening of the "Chosen" at Studio 51 on April 13. ( you can visit the gallery till April 23)
| And Moi - overwhelmed by the whole thing! |
Sunday, March 18, 2012
Mark Your Calendars!
The busy Spring art season is here!
I hope to see you at two interesting events.
Gallery 51 is a new venue for me and is a very attractive space. I am also pleased to have one of my watercolours in the Toronto Watercolour Society's Spring juried show.
__________________________________________________________________________
Email for further details: aneidhardt@rogers.com
I hope to see you at two interesting events.
Gallery 51 is a new venue for me and is a very attractive space. I am also pleased to have one of my watercolours in the Toronto Watercolour Society's Spring juried show.
__________________________________________________________________________
Email for further details: aneidhardt@rogers.com
Wednesday, February 15, 2012
Acrylic vs. Watercolour
I am often asked which medium I prefer- acrylic or watercolour. My answer is that it depends on what I am painting at the moment. Both are water-based media, but the technique and effects are quite different.
Acrylic paints are very versatile. They can be diluted and used as washes and glazes like watercolour on watercolour paper. They can also be used straight from the tube and applied to canvas and so behave more like oil paints, especially when used in an impasto technique. They dry quickly, which can create problems if brushes are not cleaned immediately. A variety of materials can be applied to the acrylic canvas to provide texture and to create collages. I find that acrylic provides the freedom to experiment, as you can cover mistakes or change your composition.
Watercolour on the other hand is basically applied to paper, although additional surfaces are becoming available, such as watercolour canvas, clay boards and terraskin. The painting must proceed in layers and from light to dark. There is a luminous transparent quality to watercolour painting which is impossible to completely duplicate in acrylic.There is little ability to correct mistakes and that has given watercolour the reputation of being difficult to master.
I have always been thankful that my first exposure to painting was in a watercolour workshop. I feel it is much easier to move from watercolour to acrylic than the other way around. Since I have been doing more acrylic painting recently, I found it quite a challenge to return to watercolour. I became so frustrated that I repainted over three watercolours in acrylic. Ultimately I went back to a familiar scene and plodded along. The initial effort, in images one and two, as you can see was a complete failure. Finally things began to click, in images three and four. More watercolour painting needed!!
Acrylic paints are very versatile. They can be diluted and used as washes and glazes like watercolour on watercolour paper. They can also be used straight from the tube and applied to canvas and so behave more like oil paints, especially when used in an impasto technique. They dry quickly, which can create problems if brushes are not cleaned immediately. A variety of materials can be applied to the acrylic canvas to provide texture and to create collages. I find that acrylic provides the freedom to experiment, as you can cover mistakes or change your composition.
Watercolour on the other hand is basically applied to paper, although additional surfaces are becoming available, such as watercolour canvas, clay boards and terraskin. The painting must proceed in layers and from light to dark. There is a luminous transparent quality to watercolour painting which is impossible to completely duplicate in acrylic.There is little ability to correct mistakes and that has given watercolour the reputation of being difficult to master.
I have always been thankful that my first exposure to painting was in a watercolour workshop. I feel it is much easier to move from watercolour to acrylic than the other way around. Since I have been doing more acrylic painting recently, I found it quite a challenge to return to watercolour. I became so frustrated that I repainted over three watercolours in acrylic. Ultimately I went back to a familiar scene and plodded along. The initial effort, in images one and two, as you can see was a complete failure. Finally things began to click, in images three and four. More watercolour painting needed!!
#1
|
| #2 |
| #3 #4 |
This process only confirmed my belief that if you use more than one medium, you need to vary your painting techniques in order to maintain the skills unique to each.
Monday, January 9, 2012
Lady in Waiting
Lady in Waiting describes what I have been doing for sometime - waiting for my bad back to allow me to get up and at it again -painting, blogging and general mischief. It is also the title of one of the last paintings I completed while still 'frisky'. She was a lonely lady sitting on the steps of the old city of Talin, Estonia.Was she waiting for someone or something, or just homeless and sad? This painting was going to be a companion piece for the man in 'Roses for Sale', but he has since gone to a good home. Hopefully she will find one too.
HAPPY NEW YEAR! In my next blog, I plan to review my art resolutions from last year. Stay tuned!
HAPPY NEW YEAR! In my next blog, I plan to review my art resolutions from last year. Stay tuned!
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| Lady in Waiting |
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