Showing posts with label limited palette. Show all posts
Showing posts with label limited palette. Show all posts

Sunday, August 10, 2014

How limited Can a Palette Be?

How limited?? 

A palette can be limited to one colour as in the Haliburton painting below, which utilizes black is diluted with water to produce a range of values.

Haliburton Inlet

This can be exciting, but also can be ultimately boring for those of us that love colour. In the last series of paintings, I used two basic colours plus white. I did add a tiny amount of hansa yellow in one or two paintings. I  want to show, in a very crude fashion what can be achieved by limiting the palette to quinacridone burnt orange, anthraquinone blue and zinc white. The base colours are the top two on the left column. I have done nine paintings utilizing basically these two colours.




Another basic palette could include: - Alizarin crimson, - Ultramarine Blue - Cadmium yellow light
- White OR for watercolour: - Raw Sienna,  - Burnt Sienna - Ultramarine blue


There is much to be gained by limiting your  palette:
- economy by purchasing less paint
- colour harmony in the painting
- less chance of creating "mud"
- encourages more attention to values
- easier to pack.

Of course with all limited palettes, at the end of a painting it can add excitement to introduce a small touch of unexpected contrasting colour as a bit of visual eye candy eg. a bright orange leaf in a predominantly cool painting.

Anders Zorn 1860 - 1920 was a Swedish artist. He is best known for his portraits, domestic scenes and nudes in outdoor settings.




Of interest, however, is his reputation for using a palette limited to to only four colours - yellow ochre, cadmium red medium, ivory black and white. A much better representation than mine, of the myriad of colour produced by a few colours is the Zorn palette below.



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Monday, July 21, 2014

Limited Palette Part Three

This is the continuation of my project to restrict myself to a limited palette. This is the third in the group - and probably the last ( I think that I said that before). I used quinacridone burnt orange, anthraquinone blue, white, and a mere suggestion of  cadmium yellow medium.  This group continues the Papamoa tree theme which is inspired by Papamoa Beach, New Zealand, which is near the home of my daughter.
I have learned a great deal by  using a limited palette. In my next post, I will try to share the colour and value variations that can be achieved.

Papamoa #2

Papamoa #5

Papamoa #4

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Friday, December 6, 2013

Limited Palette Part Two

This is the continuation of my project to restrict myself to a limited palette. This is the second three in the group - and probably the last. I used quinacridone burnt orange, anthraquinone blue, white, and a mere suggestion of  cadmium yellow medium.  I used a  light glaze of burnt sienna in some areas to create more warmth. As you can see, the second group, completed at a later date are much less subtle and more vivid than the first three. 
These paintings are inspired by Papamoa Beach, New Zealand, which is near the home of my daughter.


Waiting for your comments!

Papamoa

Papamoa 2

Papamoa 3


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Tuesday, August 27, 2013

Limited Palette Part One

I have wanted to experience the oft-touted joys of a limited palette. What an interesting exercise!  I used the same acrylic colours in a group of six paintings. The first three are here for comments.  I used quinacridone burnt orange, anthraquinone blue, white, and a mere suggestion of  cadmium yellow medium.  I used a  light glaze of burnt sienna in some areas to create more warmth.

Papamoa Evening

Charlevoix

On the Beach

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